Saturday, January 4, 2020
William Blakes London and William Wordsworths London, 1802
William Blakes London and William Wordsworths London, 1802 The figure of the poet as it pertains to William Blake and William Wordsworth is different according to the perception of most analysts. Blake addresses a universal audience in a prophetic voice, taking the role of the poet upon himself often using a mystical tone. In contrast Wordsworth uses language specific to all and directs his writing to ordinary people writing as an ordinary person reacting to his own personal experiences. It is notable that these two poets who write from such different perspectives both ably and similarly portray the dark side of human existence ensuing from the drastic changes attending the transformation ofâ⬠¦show more contentâ⬠¦He establishes himself as an observer when he says, I mark I see I meet and I hear and addresses a universal audience. His observations call up a London suffering from the monstrous consequences of the Industrial Revolution and sympathize with her people who must bear the burden of the injustices resulting from commercial ex ploitation and a materialistic attitude. Freedman claims Blakes tightly structured quatrains as well as his self-consciously elaborate poetic figures are signs of just how much intense intellectual labour is required to comprehend the city (3) and indeed the notion that the poet is struggling to come to terms with the wounds he perceives is very clear. He questions how conditions can possibly have reached the state they are in while castigating the institutions that have permitted things to degenerate to such a level. The first eight lines of the poem are the poets cry of horror for the pall that hangs over London and her people and express sympathy for their inability to escape the manacles (8.35) that bind them to their fate. The tone changes in the final eight and expresses his anger and contempt for the oppressors who have created and imposed the manacles (8.35). The term chartered used inShow MoreRelatedComparison Between ââ¬Å"Londonâ⬠by William Blake and ââ¬Å"Composed Upon Westminster Bridgeâ⬠by William Wordsworth850 Words à |à 4 PagesComparison between ââ¬Å"Londonâ⬠by William Blake and ââ¬Å"Composed Upon Westminster Bridgeâ⬠by William Wordsworth The city of London has inspired many poets throughout the ages. Two of the most distinctive portrayals are William Blakeââ¬â¢s ââ¬Å"Londonâ⬠published in Songs of Experience in 1974 and ââ¬Å"Composed Upon Westminster Bridge, September 3, 1802â⬠by William Wordsworth. While both Blake and Wordsworth comment on the conflict between appearance and reality, Blake shows the gloomy ugliness by taking down Londonââ¬â¢sRead MoreEssay on Compare London and Composed upon Westminster Bridge2519 Words à |à 11 PagesCompare London by William Blake and Composed upon Westminster Bridge, September 3rd 1802 by William Wordsworth. As a part of my coursework for GCSE English, I will be comparing two poems written about London in nineteenth century. The two poems I have chosen to write about are: London by William Blake and Composed upon Westminster Bridge, September 3rd 1802 by William Wordsworth. Both poems give their own, different accounts of London at around the same period. One is written with aRead MoreComparison and contrast between Blake and Wordsworths views on London with poems London and London, 1802 respectively.1454 Words à |à 6 Pagesrevolution era. London was the haven to this revolution, and the hell to all poetry. William Wordsworth and William Blake both denounced Londons new environment with their poems London, 1802 and London respectively. Both authors were against this transformation of the city because it destroyed all beauty and happiness, both of which they were very fond of. But, their writings went about different ways of showing their feelings of dissent towards the mechanical lifestyle of London. In both poemsRead MoreComparing the Poets Use of Language To Present Their View of London in Composed Upon Westminster Bridge by Wordsworth and London by Blake1571 Words à |à 7 PagesPresent Their View of London in Composed Upon Westminster Bridge by Wordsworth and London by Blake London was, is and undoubtedly always will be, a city of enormous interest and controversy, especially for those employed in the field of writing. The two poems, Composed Upon Westminster Bridge, 1802, by William Wordsworth and London, 1794, by William Blake, demonstrate this through their opposing views. The intention of both William Blake and William Wordsworth was to portrayRead More God Speaks Through The Mouths Of Poets Essay2009 Words à |à 9 Pagesin the beautiful themes in poetry. In this essay, I will compare the poems of William Blake and William Wordsworth with the written Word of God, in five poems: The Lamb, The Chimney Sweeper, The Tyger, My Heart Leaps Up, and London 1802. My aim is to show that the writings of great poets are truly the words of God. Little Lamb, who made thee? Dost thou know who made thee? These begin the words of William Blakes The Lamb. Just as God asks us, Blake questions our understanding of our creatorRead More Comparison of The Old Cumberland Beggar and Holy Thursday Essay1776 Words à |à 8 PagesComparison of The Old Cumberland Beggar and Holy Thursday Compare Wordsworthââ¬â¢s ââ¬ËThe Old Cumberland Beggar. A Descriptionââ¬â¢ (Romantic Writings: An Anthology, pp.78-82) with Blakeââ¬â¢s two ââ¬ËHoly Thursday poems (Romantic Writings: An Anthology, pp.17 and 32). How do the three poems differ in their treatment of the theme of poverty? The title ââ¬ËThe Old Cumberland Beggarââ¬â¢ (hereafter TOCB) immediately gives us the concept that the poem relates in some way to poverty. The words ââ¬Ëoldââ¬â¢ and ââ¬Ëbeggarââ¬â¢Read MoreEssay on The Gothic Genre and What it Entails6177 Words à |à 25 Pagesfrantic novels, sickly and stupid German Tragedies, and deluges of idle and extravagant stories in verse. The human mind is capable of being excited without the application of gross and violent stimulants.. William Wordsworth, Preface to The Lyrical Ballads, 1802. ..Phantasmagoric kind of fiction, whatever one may think of it, is not without merit: twas the inevitable result of revolutionary shocks throughout Europe thus to compose works of interest, one had to call
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